I love the unpredictability of watercolor batik on rice paper. Every stroke moves and mingles at will. For this painting, I've used masa paper, which is a heavier rice paper. It has a slick side and a lightly textual side - and that is the one you want to paint on. I start with my Pitt pen by drawing out the composition. Pitt pens are India ink, so they won't run when paint is applied. All light values were painted first, then hot wax was applied over these areas with a natural bristle brush. The rest of the color is added, then waxed, then all is crumpled up. Into these cracks in the wax more watercolor is applied, I used sepia. All wax is then ironed off between layers of brown paper, or newspaper. Voila! That completes the process! Painting number 1533 in 1533 days.